Modern dance styles have been primarily arising from Germany and the USA as a response to socioeconomic changes and industrialization. During the First and Second World War, the rise of fascism, the Great Depression (in the US), modern dance became a medium for resistance and social exchange. The concept of dance as a discursive practice, based on „Free movement “has become the new aesthetic convention in both- technical and theoretical part of dance education and practice: as a way to express contemporary social concerns and as a potential agent for change.
Modern dance pioneers such as Hanya Holm, Rudolf Laban, Harald Kerutzberg, Smiljana Mandukic, Gertrud Bodenwieser, Rosalia Chladek, Francois Delsarte, Émile Jaques- Dalcroze, Mary Wigman, Kurt Joos, Martha Graham, Alvin Ailey, Isadora Duncan, Ruth St.Denis, Doris Humphrey, Ted Shown, just to name some of the pioneers from Europe and the USA, have thematized the economic, social, ethnic, and political crises and have created a strong artistic response to their time.
WienModernDance-Platform connects contemporary practitioners of Modern Dance technics in Vienna with colleagues from European countries and worldwide.
Historical paths of modern dance are interwoven with contemporary dance training and somatic practices, such as Craniosacral, Yoga, Feldenkreis, Reiki.
The platform has been created in 2017.
The first project was developed in cooperation with the Ballett Union in Belgrade/Serbia (UBUS) during the Festival of Choreographic Miniatures by lecture presentation of ACD-President Tatjana Christlebauer in the Museum of the Belgrade National State Theatre. The topic was dedicated to the Role of Dance Arts in the field of international relations, spotlighting the artistic response to the political Zeitgeist of the Vienna-born Serbian modern dance pioneer Smiljana Mandukic and her dance teacher, Viennese dancer and choreographer Gertrud Bodenwieser. The lecture presentation was concluded with an open discussion on the role of contemporary dance education and art practice in sustainability discourses.
By further cooperation with ACD-Ambassadors for dance arts, Antonio Fini /It and Andrea Raw/Br, new projects have been developed: Árvore da Vida2030 in Rio de Janeiro and Wheels of Arts in Villapiana, Italy for the Fini Dance Festival.
Our workshops and performance lectures are including Talk Sessions on dance arts, health, environmental humanities, connecting mythology for creative expressions related to developments, concerns, and visions for futures, in contemporary political Zeitgeist2030.
ACD-Ambassador Andrea Nagl thematizes in her artworks the effects of climate change on the natural environment, human.body.nature.
ACD-Ambassador for Dance Arts/Diversity- Alain Michigan is a Modern Horton dance artist and teacher in Vienna and a blog writer. In his social media blogs, Alain thematizes diversity, gender roles, racism, shares his experiences from daily life and art practice.
ACD-Ambassadors for Dance Arts, Partnerships, and Activities for SDGs 4.7, 17.17:
Andrea Nagl/AT: iCONS2030: GletschArt
Antonio Fini It/USA: Wheels of Arts
Andrea Raw /BR: "In Spirit2030: Árvore da Vida2030"
Alain Michigan/ Fr: "Dance&Diversity" up to fall 2020
EUROPE: DanceArts Mitteleuropa inSpiri2030
Sprachen.Landschaften: literarische Kulturvermitltung; Tanz&Literatur
Alpen.Mythen.Frauen: multimendia Projekt